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Brigadoon (Theatre
III)
"This BRIGADOON
is a lively and spirited production. Not only does it have a
professional director (who has made darned sure the Scottish
accents are perfect) it has a virtuoso bagpiper in Tim Sullivan
and an operatic Fiona in Elaine Crane...Crane and Arthur Comer
as the lovers from two different worlds duet nicely with 'From
This Day On'."
Beverly Creasy (Boston Arts Review, 10/14/12)
Carmen (Greater
Worcester Opera)
"No doubt...the highlights were some of
the more subdued scenes. I really felt that this production was
at its best here.
Micaëla's last courageous attempt to rescue Don José was such a
poignant scene - it really touched my heart."
David Wilson & Donald Macmillan
(Berkshire Fine Arts, 7/8/12)
Gianni Schicchi
(Greater Worcester Opera)
"Gianni placates their greed, but allocates the richest portions
of Donati’s estate to himself. He thus can endow his daughter
Lauretta (Elaine Crane) sufficiently for a marriage to Rinuccio
(Richard Monroe). They get to end the opera in a stunning
walk-off duet of love..."
"Strong singing... Greater Worcester Opera brings wit, charm,
energy and wondrous professional zing to the effort. "
John Zeugner, Worcester Telegram & Gazette, 6/12/11
The Music Man
(Savoyard Light Opera Company)
"Elaine Crane was a lovely Marian the Librarian; the production
was lively, polished, clever and fun, with fine performances
from all."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXXV No. 4 (December 2010)
Die Fledermaus
(Worcester Opera Works)
"The outstanding feature of this production
was the singing. The scales, trills, and arpeggios
demanded by Strauss were handily executed by both soloists and
chorus. The singing was musically polished, with fine
intonation and... good diction. Elaine Crane sang the part
of Rosalinda beautifully.... It was a boisterous,
fun-filled affair, with splendid singing by local talent."
Joyce Tamer, Worcester Telegram & Gazette, 6/13/10
The Mikado
(Master Singers of Worcester/Worcester Opera Works)
"Crane lent splendid attractiveness to the love interest,
Yum-Yum. She delivered passion in a surprisingly powerful
voice, but was deliciously dubious upon learning that one
proposal leads inevitably to being buried alive."
John Zeugner, Worcester Telegram & Gazette, 3/15/10
"Elaine Crane's Yum-Yum was charming, and just vacuous
enough to keep us enchanted. Her shimmering soprano, fine
diction, and convincing self-interest... highlighted her acting
skills."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXXIV No. 5 (April 2010)
The Pirates of Penzance
(Valley Light Opera)
"Elaine Crane was an effervescent Mabel whose smile lit up not
just the stage but the whole auditorium. Her energy level
and the quality of her singing felt to me like a challenge to
the rest of the cast, to which they fortunately rose."
"Elaine Crane... did a superb job as Mabel. Her beautiful
voice capably handled the high notes and cadenzas in 'Poor
Wandr'ing One.' The interplay and expressions between
(Michael Holt as Frederick) and Elaine were fully believable."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXXIV No. 3 (January 2010)
From London to Vienna- an
Evening of Operetta (Worcester Opera Works)
"We were treated to... a fun and witty rendition of 'Art is
Calling for Me' by Elaine Crane, who charmed us with her
brilliant high notes and charisma... The first half concluded
with 'The Merry Widow Waltz', elegantly sung and danced..."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXXIV No. 1 (August 2009)
My Fair Lady
(Stageloft Repertory Theater)
"Crane is incandescent as Eliza. She’s blessed with a voice that
rings with extraordinary purity and range, embracing 'Wouldn’t
It Be Loverly' with great affection and soaring on the melodious
wings of 'I Could Have Danced All Night.' She can also put a man
in his place with amusing gusto on 'Just You Wait' and 'Show
Me.' It’s quite enthralling to watch her transpose from a
'guttersnipe' into a refined 'lady,' although her lapse into her
old ways at the Ascot Racecourse elicits a well-deserved
laugh.... As they burst into song and dance, you’ll feel as
celebratory as they do."
Paul Kolas, Worcester Telegram & Gazette, 6/22/09
Princess Ida
(Valley Light Opera)
"After much anticipation, we finally got to see Princess Ida.
Ida's two big arias in this show come as close to 'Grand Opera'
as anything Sullivan composed. It takes a complete singer
as well as a complete actress to successfully deliver this role,
and Elaine Crane came through with flying colors. I was
pleased that Ida was not just a one-dimensional character of
stern philosophies but was allowed to employ Elaine's
considerable comic talents as well."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXXIII No. 3 (November 2008)
Moments- A Musical Journey
(Worcester County Light Opera Company)
"It's a heartfelt show that boasts some truly impressive
singing, especially from Elaine Crane... (who) lovingly conveys
'Till there was you' and hauntingly renders 'Wishing you were
somehow here again'... (Crane) stand(s) out for sheer vocal
prowess..."
Paul Kolas, Worcester Telegram & Gazette, 10/1/08
The Gondoliers
(Savoyard Light Opera Company)
"Elaine Crane was a lovely 'Gianetta', her sweet, pure voice
easily meeting the demands of the role. Her acting was so
committed to every movement and gesture and word... it made for
a very real, honest performance."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXXII No. 4 (January 2008)
The Marriage of Figaro
(Worcester Opera Works)
"Soprano Crane brings clear-toned dignity and elegance to (her)
role."
John Zeugner, Worcester Telegram & Gazette, 6/17/07
Mozart's Mass in C Minor
(Falmouth Chorale)
"Soprano Elaine Crane... sang movingly and competently."
Susan Pennington, The Falmouth Enterprise , 4/6/07
The Gondoliers
(Valley Light Opera)
"Elaine Crane charmed as... Casilda."
Clifton J. Noble Jr., Springfield Republican , 11/6/06
The Grand Duke
(Sudbury Savoyards)
"The Princess of Monte Carlo was played by Elaine Crane... She
was charming, as always, and so appealing that I wished we could
have seen more of her character."
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXX No. 5 (March 2006)
Ebenezer Scrooge: A Christmas
Carol (New Life Fine Arts)
"This version adds depth to Dickens' characters, especially his
lost love, Belle... played by Elaine Crane, who sings
beautifully."
Sheila Barth, The Lynn Journal, 12/21/05
Annie (Worcester
County Light Opera)
"Elaine Crane is absolutely radiant as Warbuck's secretary,
Grace Farrell, looking very much like someone who just stepped
out of a 1933 fashion magazine. Her voice soars on 'I Think I'm
Gonna Like It Here,' 'You Won't Be An Orphan For Long,' and
'NYC.' She also sends a caring, maternal warmth across the stage
whenever she's on it."
Paul Kolas, Worcester Telegram & Gazette, 5/4/04
Ruddigore
(Valley Light Opera)
“Elaine Crane (was) brilliant as Rose… Crane’s voice and
demeanor were perfect G&S heroine material…”
Clifton J. Noble Jr., Springfield Republican , 11/8/04
“Elaine Crane, playing Rose, sang beautifully and was a charming
actress.”
Phyllis Lehrer, Daily Hampshire Gazette, 11/11/04
“Elaine Crane as Rose had (a) beautiful voice and (was a) very
fine comic actor.”
The Trumpet Bray (New England Gilbert and Sullivan Society),
Volume XXIX No. 3 (Nov.-Dec. 2004)
Spring Pops
(Worcester Chorus)
Elaine Crane gave “… an exquisite rendering of Harold Arlen’s
‘Over the Rainbow’…”
Peter Landsdowne, Worcester Telegram and Gazette, 6/7/04
Ramirez’s “Missa Criolla”
(Worcester Chorus)
"Elaine Crane sparkled in the Missa Criolla..."
Worcester Telegram and Gazette, 6/3/02
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